Of Marrow and Leaf: New Paper Cuts and Reliefs by Joey Bates
May 8, 2014 – June 9, 2014.
Joey Bates was born and raised in the Pacific Northwest. He received his BFA in painting in 2005 at Kendall College of Art & Design in Grand Rapids, MI. Joey currently resides in Seattle, making art almost daily.
I find it compelling that some of the things we find beautiful and otherworldly can be so harmful to our well-being. As we trek through our yards, forests, and neighborhoods, we so often fail to acknowledge the plethora of plants that could wreak havoc on our innards.
Of Marrow and Leaf is a collection of cut paper pieces that explore the beauty of deadly plants in conjunction with the human figure. The central focus of my work has long been portraiture. I have traditionally practiced a highly particular dissection of the figure, and that breakdown resonates with the shapes and forms of plants.
My intention is for these images to evoke a sense of memento mori, the notion that death is constantly present. While the fragility of life is not a revolutionary idea, I value taking pause to reflect on this simultaneously vital and lethal fact. My hope is that these works inspire viewers to do so as well.
Check out this video by Christian Powers to find out more about Bates’ process and inspirations:
If you’ve been following this blog for any time at all, you will likely have already figured out that the mission of WEAVE is to promote and grow the vibrant Seattle urban and contemporary art scene. Through this blog and our Facebook page, we serve as a year-round resource for upcoming arts events and exhibits in neighborhoods all over Seattle. We are also the organizers of WEAVE Fest, an annual festival in Seattle that includes exhibitions, events, forums and temporary installations. And now, we are a twice-yearly publication!
Introducing WEAVE Magazine, an arts publication highlighting and supporting the best of the Seattle urban and contemporary arts community!
The inaugural Spring/Summer 2014 issue, which recently launched officially at a party in Seattle, features interviews by Sarra Scherb with Seattle artists Adream de Valdivia, Robert Hardgrave, Kate Protage, Miguel Edwards, and Daniel Voelker.
The theme of this first issue, “Monochromes,” was inspired by the beauty that can be found all around us, even in the prevalent grays of Seattle winter. The works featured in this issue all reflect this theme and we are proud to spotlight Seattle artists whom we admire both professionally and personally. Our hope is that WEAVE Magazine will introduce you to new amazing artists and give you some deeper insight into artists you may already know.
Check out this fabulous issue right here on this site by clicking the “WEAVE Magazine” tab above and make sure to purchase a copy for yourself of the limited print edition while it is still available!
May 9, 2014 – June 27, 2014. Receptions Friday May 9 and Friday June 13.
The Northwest, more specifically Seattle, is a very interesting place to be an artist. There’s a magic and mysticism in the air and inspiration around every corner. From our folklore to our pop culture, there is a style and grace that is unmistakably us, the indigenous. This area breeds an ultimate respect for its surroundings. It’s a place where nature isn’t afraid to reclaim its territory amongst the urban sprawl. It’s with this spirit that we present a new collection of work that unearths some of what makes this area so electric. From the tiniest of creature to the beasts we’re so well known for, prepare to be immersed in our corner of the world visualized through the collaboration of two indigenous artists; Solace and John Osgood.
Solace draws his inspiration from his surroundings, the lush landscapes of the Pacific Northwest that are his home. Often using leaves or natural materials as stencils in his aerosol spray creations, he effortlessly mixes the urban with the wild. His friendly monsters and fanciful figures seem to have emerged from a Technicolor forest just next to the ones we know: where every mountainside sports a brilliant graffitied mural, and Sasquatch might skateboard over for dinner.
The bright, bold colors of nature infuse John Osgood’s angular abstracts, painted in acrylic on panel. Patterns and themes from nature seem to unfold like wings or feathers, and there is a coiled energy in each composition that seems to be constantly blooming and growing. In addition to his abstracted work, Osgood presents his trademark figurative style insects and sculpted birds.
The opening reception for Indigenous, will take place on May 9, 2014 from 6 to 9:30 PM.